Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

A sex-obsessed woman, a suicidal man she meets on the street, and a gun-crazy wannabe gangster become trapped in an underground hideaway.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

The Versace story is a family story of glory and tragedy that reads like a glamorous soap opera. In the late 1970s, Gianni Versace founded a small family business that would grow into a global fashion empire with his older brother in charge of the finances and his sister as artistic director. His audacious designs would revolutionise the fashion industry.

Vishwanathan, a Kathak dance teacher in New York, is happy in his marriage with Nirupama, a nuclear oncologist who married him to pursue higher studies in the USA. Deciding to cut ties with her husband, Nirupama hires a private detective to monitor his activities. To her utter shock, certain truths about her husband are subsequently revealed, setting off a chain of events that will change both of their lives irreversibly.

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.

Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.

Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Екранізація однойменної п'єси Бернарда Шоу.

In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

A traveling performer arrives at a remote South American port town where the head of an air freight service must risk his pilots' lives to earn a major contract.

A Japanese police unit who use giant anthropomorphic robots (called Labors) is caught up in a political struggle between the civilian authorities and the military when a terrorist act is blamed on an Air Force jet. With the aid of a government agent, the team gets close to a terrorist leader to stop things from going out of control when after the military is impelled to impose martial law.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

"Зневага" - історія того, як закінчується шлюб. Каміль втрачає почуття до свого чоловіка, Поля, який переробляє сценарій до фільму "Одіссея" на замовлення американського продюсера Джеремі Прокоша. "Зневага" - це також дослідження місця режисера у комерційному кіно.

Дія фільму відбувається в 1920-і роки. Головний герой — амбітний молодий чоловік, спраглий зробити кар'єру. Він їде до великого міста й влаштовується на роботу продавцем в універмазі. Але своїй коханій, яка чекає, доки він досягне успіху, щоб переїхати жити до нього, наш герой пише листи, в яких приховує факт відсутності просування кар'єрними сходами. Раптово дівчина приїжджає до міста й приходить в універмаг, де працює її наречений. Водночас герою нарешті випадає шанс проявити себе. Зовсім скоро настане його зоряний час!

Коли штучний інтелект дає людям у скорботі змогу говорити з тими, кого вони втратили, бортпровідниця й мати мусять осмислити сутність буття й людської природи.