Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

Two languorous summer days, two thorny tales of romantic misunderstanding: in part one, two girlfriends head to the Cergy leisure park for a day of swimming and equally vigorous flirtation; in the second, a Norwegian exchange student finds herself the target of unwanted attention from two would-be suitors.

Images from helicopters. Video recordings from the American and the French military forces in Afghanistan, Iraq and Syria. The intervention is taking place right before our eyes. How far can the desire to see lead to, when it has no limits?

Four fearless adventurers mount their vintage motorcycles and set off on a challenging ride through America's most beautiful landscapes

A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.

Percy, upon being released from prison, goes to the small town of Gillead, to find a place where she can start over again. She is taken in by Hannah, to help out at her place, the Spitfire Grill. Percy brings change to the small town, stirring resentment and fear in some, and growth in others.

Відкрита та емоційна Жанна викладає філософію у ліцеї. Її наречений не вдома, а дівчина не бажає залишатися у його неохайній оселі. Наташа, яку Жанна зустрічає на вечірці, пропонує дівчині спати у кімнаті її батька Ігоря, оскільки він завжди проводить час зі своєю молодою коханкою Євою. Наташа розповідає Жанні історію про зникле намисто і свої підозри щодо Єви. Усі вони бачаться у приватному будинку Ігоря за містом. Невже Наташа намагається звести Ігоря та Жанну? І що, зрештою, сталося з намистом?

Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.

Child's Pose is a contemporary drama focusing on the relationship between a mother and her 32-year-old son. After the accidental killing of a boy in a car crash, the mother tries to prevent her son being charged for the death, and she refuses to accept that her son is a grown-up man.

Three stories of love and coincidence around the theme of dates in Paris.

Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.

The socialist mayor of a small village in France dreams of building an arts center but he runs up against some opposition.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day.

Set in a sleepy Austrian mountain village, ex-detective Simon Brenner has grown weary of his job repossessing cars and embarks on an extended getaway to the countryside. But before long he becomes embroiled in the convoluted world of the locals of a supposedly quiet town.

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

Фільм розповідає про три покоління японської сім'ї та їхнє ставлення до американських атомних бомбардувань їхньої країни. Кане в 1945 році пережила вибух «Товстуна» над Нагасакі, під час якого загинув її чоловік. Багато років по тому в її сільський будинок на острові Кюсю приїжджають діти й онуки. Онукам нудно з бабусею, її куховарство здається їм несмачною і при першій же нагоді вони відправляються в Нагасакі, що знаходиться неподалік. Там вони бачать місце, де 9 серпня 1945 загинув їхній дід разом з тисячами мирних жителів. Після цього їх відношення до бабусі і вітчизняної історії змінюється.

François, a miserable football player, becomes a town hero after bringing victory in an extremely important game. He uses his fame for revenge on the team star for the previous mockeries.