Почавши перегляд фільму «Про любов. Тільки для дорослих », глядач опиняється в столиці Росії, де життя не завмирає навіть в нічний час доби. Настає літо, а це значить лише те, що вулиці будуть заповнені ще більше. Величезне місто живе своїм життям, а на кожному кроці завжди відбувається щось по-справжньому цікаве. Люди, що поспішають у своїх справах, не забувають про те, наскільки важливо щодня отримувати нові знання і навички. І для цього у них є все необхідне, адже в столиці країни кожен день можна виявити сотник самих різних курсів, тренінгів та лекцій. Головним героям залишається лише вибрати те, що їм більше до смаку. Головні герої - звичайні люди, які відчувають себе загубленими в величезному місті. Вони постійно будуть перетинатися, стикатися, розходитися і знову стикатися один з одним. І всі вони обов'язково знайдуть свою любов.

Patients in a psychiatric clinic are placed in a special home in the city, where they have access to the outside world. Another change to their previous situation is the fact that two female patients come to live with them.

Five short stories.

What Doesn't Kill Us is a mockumentary about rehabilitated zombies facing the adversities of living in a time when they aren't yet treated equally to humans.

Irene is a mature woman who is sick and goes to Dr. Cano's medical office who informs her that she just has six months to live. Dismayed, walking aimlessly meets Jorge, an older man, who is in the same situation ..

Decadent, failing Mexico City family get life-lessons from rural visitors.

A young boy’s journey as they take his father to his final resting place.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.

The adventures of the Etruscan Cassiodorus who, after having involuntarily captured a rebel, is named centurion and ingratiates himself with Nero. He tries to take advantage of his role to enrich himself with shady deals, but it goes wrong.

Painter Gao Yuan’s experimental animation is composed of a series of surreal scenes, based on her acrylic paintings made between 2010-14. Objects and people find themselves in unusual situations where rules of gravity and structure do not apply. The familiar yet unnervingly offbeat scenes are connected through unexpected sounds and rhythms. Under the dim moonlight, the characters are stuck in a dream state from which they cannot awaken.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

A rich young man is attached to his father's stenographer. Knowing her character the father objects, disowning his son when he persists in big attentions to the girl. In the grip of poverty, the girl's true nature is disclosed, and the gentleness and goodness of her sister is revealed.

Junko (Sho Aikawa) is a low-level yakuza in the service of Yoshikawa (Toru Minegishi), despite the misgivings of his uncle (Jo Shishido). He lives off of the money earned by his girlfriend and is more interested in trying to look cool than anything else. He meets Yumeko (Chikako Aoyama), an innocent but dangerous narcoleptic runaway, after she steals his car, and she soon moves in with him. Following the assassination of a high-ranking member by the Kazama Family, Junko is called on to be the lookout while the family gets revenge. However, the other men quickly "zoom", or escape from their duty, leaving the task to Junko. Will he take out Kazama, or will he zoom?

Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.