An ill-fated attempt to capture a wishing star as a gift for their parents leads Rolie and Zowie into a musical outer space venture that brings a pair of lost twins into their lives in the multicolored robotic family's second feature-length outing. The baby bots have inadvertently left their dwelling, a fantasy foster home more akin to amusement park than institution. When Rolie and Zowie bring the misplaced babies back to their home planet, Mom and Dad are willing to give up the Family Fun Day Parade in order to track down the "mothership." The intergalactic road trip results in the discovery that the infants need a good adoptive home. The parents offer verbal agreement (no red tape or exorbitant fees here!) and it's back home in time for the parade in this sweetly unjaded 68-minute movie from the folks at Disney Playhouse. (Ages 2 to 7) --Kimberly Heinrichs

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

An old Finnish athlete travels alone through eastern Europe with his van.

Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?

Gertrude Lawrence rises to stage stardom at the cost of happiness.

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Це продовження фільму Ґанц, створеного на основі однойменної манґи. Пройшло п'ять місяців з подій описаних в першому фільмі. Кей зібрав команду і виконує завдання Ґанца в надії повернути Като до життя. Разом з Коджіма Таєю він наглядає за молодшим братом Масару, для цього навіть влаштувався на роботу. На цей раз учасники гри зтикаються з новими ворогами - "Прибульцями в чорному", які зовні не відрізняються від людей. Ці прибульці набагато сильніші та швидші за людей, мають високі регенеративні здібності та можуть з власного тіла отримувати зброю, як наприклад пістолети чи катани. На відміну від попередніх цілей, "прибульці в чорному" проявляють агресію та намагаються знищити Ґанца та все що з ним пов'язано. Паралельно з основними подіями, розповідається історія японського детектива поліції, який розслідує череду загадкових подій. Він знаходить матеріали про зниклих людей, які повинні були померти, але живі, та про випадки руйнування по всьому Токіо.

Short film from the Philippines

8mm work directed by Norihiko Morinaga.

A horror short with no dialogue (Advised to watch with headphones)