A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

«Битва в Норіанській протоці» - це кінострічка про захопливі події, які відбулися в далекому 1598 році, коли на водах проливу Норян відбулася рішуча морська битва - остання в історії Імджінської війни. В центрі уваги - корейський флот, який складався з 150 кораблів і очолювався видатним адміралом Лі Сунсіном, що відважно протистояв армаді 500 японських судів.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

This Final Performance Tribute began on Les Paul's 90th birthday when luminaries from the musical world gathered to celebrate at New York's historic Iridium Jazz Club. Les and friends jammed every Monday for the next four years until the legend left us. Great moments from many of those cool sessions are presented in this tribute to the man who created a sonic boom with the solid-body electric guitar. About the Collector's Edition: Les jams live with special guests like Keith Richards, Steve Miller, and José Feliciano. Musical luminaries Bonnie Raitt, Tony Bennett, Sonya Hensley and others share their thoughts on Les. Includes 23 songs played by Les, like "Tennessee Waltz", "Route 66", "Back Home Again in Indiana", and the original rendition of "How High the Moon" with wife Mary Ford.

Joy, a secretary at a large multinational company, has an online shopping problem, likes to read adventure novels and watch travel and adventure shows. She daydreams about living a life of adventure.

A young woman must confront her inner demons personified as a swamp monster in a battle for self- acceptance.

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Single-channel video installation commissioned by Public Art Development Trust, London.

Sociological study of the real values of young people in socialism.

Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.

A man regrets about his past relationship while dealing with urban loneliness