Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.

Кіото, XVIII сторіччя. Осан, дружина Ісюна, знатного друкаря календарів для імператорського двору, просить Мохея, улюбленого працівника свого чоловіка, позичити їй трохи грошей для брата з матір’ю. Вона вже стільки разів просила допомоги в чоловіка, що їй незручно знову його турбувати. Мохей таємно закоханий в Осан і тільки радий їй допомогти. Щоб отримати ці гроші, він збирається взяти особисту печатку хазяїна.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.

A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.

Carol Hammond, daughter of a politician, has vivid nightmares involving sex orgies and LSD. In a dream, she murders a neighbor she envies and wakes up to a real investigation into her neighbor's murder.

Епічне кинополотно найвідомішого радянського кінорежисера Сергія Бондарчука за романом Льва Толстого «Війна і мир» за участю всіх зірок радянського кінематографа.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Escaped convicts terrorize a suburban family they're holding hostage.

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

A superifical woman finds conflict choosing between her abusive husband and her vain lover.

The action takes place in 1920 during the Civil War. Crimea on the eve of complete liberation from the White Guards. Returning from patrol, the four brave “elusive” knocked down an airplane. In the field bag of the captured pilot, they find a secret report, which speaks of the existence of defensive fortifications around the coastal city, which the Reds have yet to take. Young heroes get the task to get a map of fortifications and go to the city...

January 1999: Apprentice mage Azaka Kokutou, Mikiya's younger sister, has been ordered by her mentor, Touko Aozaki, to investigate a certain incident in which fairies steal the memories of students at Azaka's school, Reien Academy. Azaka launches an investigation with the help of Shiki.

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

Саллі Метьюз (Сьюзен Серендон) працює в барі ресторану Атлантик-Сіті, відвідує курси для круп'є, вивчає французьке мову і мріє про роботу в казино у Монте-Карло. Та несподівано повертається Дейв Метьюз (Роберт Джой), її колишній чоловік, за якого вона вийшла заміж тільки для того, щоб втекти з провінційного Саскачевану. Йому вдалося вкрасти пакет з наркотиками і він мріє розбагатіти. Однак, що про це думають гангстери з наркомафії ...

Оповідь у фільмі ведеться у формі спогадів постарілого Казанови про дні молодості. Історія Джакомо Казанови — це нескінченна низка випадкових зв’язків, бурхливих та дивних романів, спокушених і покинутих жінок у різних містах Європи. Статевий зв’язок з недокрівною хворою дівою повертає її до життя. У іншій сцені Казанова розігрує сцену спокушання черниці перед багатим вуайєристом. Наступний епізод — любовний поєдинок, де Казанова випереджає молодого суперника за кількістю статевих актів, що закінчилися оргазмом. Усі ці строкаті швидкоплинні спогади виглядають як пошук нездійсненного жіночого ідеалу. І наприкінці розповіді Казанова — чи то в мареннях, чи то наяву — знаходить те, що він так довго шукав. Це бездушна лялька, манекен, з якою Казанова крутиться в останньому танці.

Carl and Jessie are half siblings who feel trapped by the existential and economic pressures of living in the small mining town of Canaan, Ohio. Their shared rebellion soon takes on the form of an illicit love affair depicted in interwoven sequences of lusty poeticism and ethnographic vérité. When Jessie becomes pregnant, the tension between the couple’s youthful vitality and the dire realities of rural society leads to consequences both despairing and hopeful.