Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn't able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

A woman and her husband take separate vacations, and she falls in love with another man.

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.

Dawn breaks in La Habana, and as the day advances we follow the simple lives of ten ordinary Cubans, with only sounds and images accompanied by music.

Early Sam Raimi/Bruce Campbell short.

A woman is caught up with house chores after someone rings her door.

Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.

The Doctor, Ian, Barbara and Susan arrive in the TARDIS on board a spaceship. Their initial concern is for the ship's human crew, who are suffering from telepathic interference from the Sensorites, but Susan communicates with the Sensorites and finds the aliens fear an attack by the humans and are just defending themselves. Travelling to the Sense Sphere (the Sensorites' planet) the Doctor seeks to cure an illness to which the Sensorites and Ian have succumbed, but finds it has been caused by deliberate poisoning. The political manoeuvring of the Sensorite City Administrator poses another threat to the TARDIS crew as he seeks to discredit and implicate them.

Фільм повністю знятий в салоні легкового автомобіля. Головною героїнею є жінка-водій, яка спілкується зі своїм сином Аміном. Під час їзди містом вона підбирала випадкових людей, з якими також вела бесіди. Соціально-побутова драма про людські взаємовідносини показує нам плин життя в сучасному Ірані. Головні теми фільму: яке місце займає особиста свобода в житті іранської жінки, взаємовідносини жінки з чоловіком та матері й сина. Окрім головної героїні, а також повії, усі ролі грали непрофесійні актори, а бабуся з восьмого епізоду випадково потрапила у фільм і навіть не знала, що в машині ведеться відеозйомка.

Depressed and jaded after being dumped by her married boyfriend, aging beauty Minnie Moore wonders if she'll ever find love. After shaggy-haired parking lot attendant Seymour Moskowitz comes to her defense from an angry and rebuffed blind date, he falls hopelessly in love with her despite their myriad differences. Minnie reluctantly agrees to a date with Moskowitz, and, slowly but surely, an unlikely romance blossoms between the two.

Роберт Хармон, успішний автор еротичних романів живе разом з дванадцятирічним сином у великому будинку, оточений натовпом випадкових коханок, безперервно курить сигарети і не розлучається з пляшкою. Коли він залишається один, його відвідує улюблена сестра Сара. Вона знаходиться на межі нервового зриву через те, що її дочка після розлучення вважала за краще жити зі своїм батьком. Замкнені в величезному будинку, брат і сестра проводять цілі дні наодинці один з одним, розмовляючи про речі важливі і не дуже, про те, що їх хвилює і про те, що хвилювати вже не буде. В один із днів Сара вирішує виїхати, залишивши Роберта наодинці з самим собою.

Багата спадкоємиця Айріс Деверо закликає на допомогу свого колишнього коханого, детектива Гарпера, після того, як її починають шантажувати. Гарпер стикається з масою таємничих особистостей, серед яких начальник поліції, завжди готовий схопитися за зброю, і жорстокий і жадібний нафтовий магнат. Детектив все глибше занурюється у вир таємниць і небезпек...

Two young men seek the solitude of the country; their peace is disturbed when a set of random occurrences suggest to their susceptible minds a pattern with sinister meanings.

A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave the country together. But mindless enthusiasm for regained freedom will be short-lived.

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.