A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

Ямада — сором’язлива дівчинка-другокласниця, член гурта по садівництву. Касе із сусіднього з нею класу — красива дівчина, яка є лідером шкільної легкоатлетичної команди. Чи зможуть вони бути разом, не дивлячись на те, чого прагнуть у своєму житті?

Mock documentary about an upstart candidate for the U.S. Senate written and directed by actor Tim Robbins. Bob Roberts is a folksinger with a difference: He offers tunes that protest welfare chiselers, liberal whining, and the like. As the filmmakers follow his campaign, Robbins gives needle-sharp insight into the way candidates manipulate the media.

Сюжет драми розповість про сім’ю італійського промисловця, яка зараз переживає не найкращі часи. Брат Луїзи хворий на СНІД, її батько помер, а мати збирається продати всі сімейні цінності, а будинок передати на громадські потреби. Атмосфера в родині загострюється, що дуже б’є по внутрішньому світу дівчини. Раптово вона зустрічає Натана, задумливого молодого актора, який, здається, відповідає їй взаємністю, проте батьки хлопця проти його відносин з Луїзою.

The year is 2050, in this future giving birth is nothing more than a simple formality. But the birth of Désiré will be much more painful...

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed. A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang.

Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.

The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

Непосидючий інженер Сергій Марков (Олєґ Янковський) переживає кризу середнього віку. Напередодні сорокарічного ювілею він відчайдушно чіпляється за плинну молодість: нервово заграє з коханками, хуліганить з випадковими пацанами, артистично хамить колегам по роботі. Хоча відносини Маркова з реальністю балансують між екзистенційною драмою, де йому «справді погано», та балаганними номерами, особливим чином вони контрастують на тлі моралізаторського побуту пізнього «брєжнєвізму». Втома від життя середнього радянського інженера в них відчувається, як втома від епохи, в якій польоти можливі лише уві сні. Фільм знімався Балаяном в древньому та сонному російському Володимирі за участі зіркових московських авторів 80-х та в компанії його постійних співаторів, оператора Вілена Калюти та композитора Вадима Харпачова. Перший з них надав міському побуту поетичний фотографічний вимір, другий своїми синтезованими звуками, немов відповідав за зв’язок героїв з космічними сферами.