Мсьє Юло має зустрітися з американською посадовою особою в Парижі. Проте він губиться в лабіринті сучаної архітектури, наповненої останніми технічними новинками. Його підхоплює туристичний вир, і він блукає Парижем із групою американських туристів, що сіють хаос.

Мсьє Юло їде на море, щоб відпочити. І схоже, що він чи не єдина людина, здатна насолоджуватися відпочинком.

Plot 35 is a place that was never mentioned in my family; it is where my elder sister, who died aged three, is buried. The sister about whom I was told nothing, or nearly nothing, and of whom my parents had oddly never kept a single photograph. It was to make up for the missing images that I decided to make this film. Thinking that I would simply chronicle a forgotten life, in fact I opened up the hidden door to a past that I was unaware of, to the subconscious memory that lies inside each of us and who makes us what we are.

Rubén is a middle-aged Argentinian truck driver transporting timber between Paraguay and Buenos Aires. One day, at a truck stop, he picks up a young Paraguayan woman, Jacinta, whom his employer had told to take to Buenos Aires. To Rubén's surprise, Jacinta brings along her five-month-old daughter, Anahí.

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

Третій повнометражний фільм Олександра Довженка. Це революційна епопея, кінопоема, в основі сюжету якої лежить трагедія національної поразки й робітниче повстання на київському заводі «Арсенал» проти Центральної Ради та військ УНР у січні 1918 року. В 1925 році на Одеській кіностудії Лесем Курбасом поставлений фільм «Арсенальці». Через два роки О. Довженко створив свій фільм на ту ж тему на основі сценарію, наданого ВУФКУ учасником подій М. Патлахом під заголовком «Січневе повстання в Києві 1918 року» (сценарій був драматургічно перероблений Довженком).

During an International Trade Fair at Thessaloniki, a mature woman, Rena (Martha Karagianni), goes there with her sister to convince her childhood friend Dinos (Dinos Iliopoulos) to have a "white wedding" so that she can inherit a large estate. Dinos though, does not accept because even though he is actually a womanizer he acts as a shy and modest man around people. Everyone there will meet a group of musicians and one of them will fall in love with the daughter of the strict manager of the company Dinos works for who is accompanied by Dinos. At some point, everyone goes to Athens where things get more complicated untill everyone finds his perfect match. In the end Rena gets her inheritance and all together they perform a musical play in a grand theater.

A cop, a lawyer, and an assassin cross paths after the murder of a federal witness and the kidnapping of a famous pop star.

Junkichi is the son of a rich landlord, while Koyuki is the daughter of a poor lumber worker. The mismatched pair soon finds love, and against his father's wishes, Junkichi decides to run away with Koyuki to start a new life. But when Junkichi is called off to war, they make a pledge to sing the song of engagement everyday until they are able to reunite

An apocalyptic film is suddenly interrupted by a strange ad. A man in suit and tie appears to deliver a message to the spectators and the director.

"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

In Laos, 1954, eight days before the french defeat in the Indochina war, the 317th platoon – four french soldiers and 41 laotian combatants – has been ordered to leave its outpost and to retreat for the plains of Diên Biên Phu, where the french army is getting stucked. Led by the inexperienced and idealistic sous-lieutenant Torrens, fresh out of the military academy, and by adjutant Willsdorf, a WWII veteran of the Werhmacht, the group must cross 150 kilometers of jungle. But dripping rainwater, hostile nature, and the Viêt-minh ambushes expose them to constant danger.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

A well known radio talk show host lives as a recluse during the day, until she found her real mother.

Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.

At 9:00, Laurent receives a worrying text message. 9:01, his mobile's stolen. 9:30, his son disappears. 10:00, his house burns down. 10:15, his wife leaves him. 10:30, his company goes bankrupt. 11:00, he's in custody. The day's got off to a bad start.

An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.