The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship...

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

A bored, retired rock star sets out to find his father's tormentor, an ex-Nazi war criminal who is a refugee in the U.S.

Вічне місто Рим. Письменник і журналіст Джеп Гамбарделла ось-ось розміняє 65 років - саме час згадати, що сталося за останні роки. Розглядаючи минуле і теперішнє - своє і Риму - Джеп доходить висновку, що навколишній світ сильно змінився. Місто спотворене сучасним смаками і звичаями, колишня його велич тепер є лише декорацією...

Це історія про людину, у якої було все – багато, дуже багато грошей, майже безмежна влада, натовпи шанувальників. Багато хто захоплювався його вмінням спілкуватися з людьми, умінням домагатися своїх цілей. У нього прекрасне ораторське мистецтво, за допомогою якого чоловік міг майже будь-яку іншу людину переконати у своїй правоті. Колись він був міністром економічного розвитку Італії, Прем'єр-Міністром країни. Його думка означала дуже багато. І його гроші вирішували майже всі проблеми. Але тільки одне захоплення Сільвіо – дівчата - ось що все зіпсувало. Скандали з великим сексуальним підтекстом, з дачею хабарів і з несплатою податків – саме це зруйнувало прекрасну політичну кар'єру Сільвіо Берлусконі.

Фільм оповідає про останні роки політичного життя Джуліо Андреотті. Він обирався на пост прем'єр-міністра сім разів. А подав у відставку через скандал, який викривав його зв'язки з впливовими особами кримінального світу, хоча саме з ними став активно боротися його уряд. Худорлявий і невеликий зростом, з умінням жартувати і тонко іронізувати, Андреотті привертав увагу не тільки свого оточення, а й численних виборців.

The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, everyone believed him dead.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Award-winning director Fatih Akin takes us on a journey through Istanbul, the city that bridges Europe and Asia, and challenges familiar notions of east and west. He looks at the vibrant musical scene which includes traditional Turkish music plus rock and hip-hop.

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

A beautiful fugitive draws a shy film buff out of his shell while she hides in the museum — the cavernous interiors of the Mole Antonelliana in Turin, Italy — where he works as night watchman.

У основі сюжету фільму історія 10-річної Вікторії, яка розривається між двома матерями: однією, яка виростила її з любов'ю, та другою, біологічною, яка інстинктивно прагне привернути доньку до себе. Три жінки борються з примітивними почуттями, маючи справу з душевними ранами і нерозривними зв'язками.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy.

Luca Parmitano is the first italian astronaut to perform an extravehicular activity, currently part of the crew engaged in the Expedition 61 mission on board the International Space Station (SSI), is ready to tell his latest space adventures.

Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.

An intimate look at the epochal financial crisis of 2008 and the powerful men and women who decided the fate of the world's economy in a matter of a few weeks.

Невелике селище в Буркіна-Фасо. Шість дівчаток збігають з ритуалу «очищення». Мова йде про жіноче обрізання - звичай широко прийнятий в Африці, часто незаконний, але до сих пір практикується. Четверо з них прибігають у двір одного будинку, де просять жінку на ім'я Колле Ардо надати їм захист.