A World War II submarine commander finds himself stuck with a damaged sub, a con-man executive officer, and a group of army nurses.

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

У фільмі показаний берег пляжу з пірсом. Відпочиваючі стрибають з пірсу на мілководді і виходять з води на берег.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

Two Soviet partisans leave their starving band to get supplies from a nearby farm. The Germans have reached the farm first, so the pair must go on a journey deep into occupied territory, a voyage that will also take them deep into their souls.

A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.

Молодий і честолюбний доктор Ясумото прибуває в лікарню для бідних, якою управляє лікар Червона Борода. Ясумото не має наміру миритися зі строгими порядками і грубістю головного лікаря, про що не соромиться відкрито заявляти. Однак з часом молодому фахівцеві відкривається справжня сутність наставника: під суворою маскою ховається безмежна доброта, милосердя і співчуття.

Due to a female passenger falling out of her top whilst running for the bus Stan is distracted and crashes the bus resulting in the depot managers car being written off. As a result Stan, Jack and Blakey are fired. Stan and Jack soon get new jobs as a bus crew at a Pontins holiday resort but discover that Blakey has also gotten a job there as the chief security guard.

An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Peter and Katarina are at a marital crossroads, but, when he brutally kills a burlesque dancer, their domestic squabbles are rendered trivial by comparison. In the wake of the crime, the film backtracks, painting a portrait of the fraught union between Peter and Katarina. When does a marriage go bad? What causes a member of the German bourgeoisie to murder an innocent woman?

Екранізація однойменного роману Октава Мірбо 1900 року. Парижанка Селестіна їде за місто, до маєтку пари Монтей, щоб отримати місце покоївки. Нечисленне сімейство дивує новеньку своїм характером і поведінкою. У дому нового хазяїна усе дуже заплутано, проте, досвідченій покоївці вистачило пари днів, щоб розібратися у стосунках сім’ї Монтей. Селестіна звикає і до Монтеїв, і до маєтку, так само, як вони звикають до нової покоївки...

Чоловік (син режисера) стоїть біля сходинок і грає на маленькій гармоніці (більше схожою на концертино, ніж на акордеон).

Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

1885 рік. Незрівнянна кухарка Євгенія останні 20 років працювала на відомого гурмана Додіна. З часом гастрономічна практика та взаємне захоплення перетворилися на романтичні стосунки. Особливий зв’язок кухарки та гурмана породжує вишукані страви, які вражають навіть найвідоміших шеф-кухарів світу. Незважаючи на своє кохання, Євгенія любить свободу і не планує виходити заміж за Додіна. Щоб змінити її думку, він вирішує зробити те, чого ніколи раніше не робив — готувати для неї.

Кіото, XVIII сторіччя. Осан, дружина Ісюна, знатного друкаря календарів для імператорського двору, просить Мохея, улюбленого працівника свого чоловіка, позичити їй трохи грошей для брата з матір’ю. Вона вже стільки разів просила допомоги в чоловіка, що їй незручно знову його турбувати. Мохей таємно закоханий в Осан і тільки радий їй допомогти. Щоб отримати ці гроші, він збирається взяти особисту печатку хазяїна.