Maximilian Schell's portrait of his sister Maria.

Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.

8mm film by Swiss artist Roman Signer.

During a visit to her grandparents´ house, Kath finds some pictures of the Argentinian civil unrests in 2001. Upon her return to Buenos Aires she will attempt to discover the link between these photographs and her deceased mother, the author of the images.

Two lonely people find the love that they were searching for. Well, one lonely person and one banshee...

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.

A mad man, Spyros, wants to marry Marianna, his lively sister. He wants to give her a dowry apartment, but his money is not enough for that. So he has to ask for a loan from his boss. The boss refuses to serve him but as soon as he knows Marianna, he changes his mind. Spyros tries to think of Marianna, who is smirked for his boss's mistress, but he only manages to lose his job. He wants to marry her with the poor and honest electrician Manolis, who is in love with her.

A woman searches for her boyfriend in the small town he disappeared in, with no idea of the nightmare that awaits her.

A young man encounters the delights, wonders, turmoils, and sorrows of his love life while maintaining his friendships.

Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison

It’s been a year since the “school” where captured schoolgirls were trained as sex slaves was destroyed. But a survivor, Arikawa, has planned to rebuild the school by using Chiaki, the former Number 66, who’s a daughter of the principal. His first objective is to kidnap a good female teacher to brainwash her into becoming the school’s star trainer. When Arikawa kidnaps his targeted high school teacher, Mitsuko Sawamura, Chiaki thoroughly humiliates her into a corner in confinement. When Mitsuko finally loses herself, her brainwashing is successfully completed – or so it seems.

Historians and engineers investigate how Allied forces conspired to destroy Hitler's "supergun".