Outlaws plan a robbery to take place during a championship prizefight in Carson City, Nevada.

While Yeung Kam Wing is trying to remove all connections between the mob and him, his actions are being carefully observed by Lau Kin Ming, who bears a personal grudge against him.

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each evening the officer warms himself by the fire and talks of his country, his music, and his idealistic views of the relationship between France and Germany. That is, until he visits Paris and discovers what is really going on...

Deathstalker helps Reena the Seer out of a few jams, and she solicits his help for a bigger task. She reveals that she is actually Princess Evie, but the evil sorcerer had her abducted and cloned in order to seize control of the kingdom. Together they travel to the evil sorcerer's stronghold to restore the princess to her rightful position, encountering challenges along the way both from the sorcerer's goons and the fierce Amazon women.

Після того, як нещасний випадок позбавив Кларка Девіса можливості піклуватися про свою ферму, сім'я охоче прийшла йому на допомогу. Несподівана підмога надійшла і з боку стороннього незнайомця, який не тільки розкрив якусь таємницю, що лежала на совісті одного з жителів містечка, але і всією душею закохався в старшу дочку Кларка, Міссі.

Китай, 1926 рік. Роздроблена країна намагається об'єднатися революційним шляхом і стати єдиною нацією. В цей час в Шанхай приїжджає Джейк Хольман. Його перевели на американську канонерку "Сан Пабло", яка курсує по річці Янцзи. Джейк першокласний механік. Він знає свою справу і воліє займатися двигунами, а не втручатися в політику або прийняття рішень.

Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

Галаслива сімейка Ньютонів вже давно звикла до витівок веселуна Бетховена, але раптового перетворення песика у вишуканого і відмінно дресованого собаку, вони ніяк не чекали! Все почалося з того, що під час звичайної прогулянки в парку Бетховен зустрівся з сенбернаром по кличці Мікеланджело, схожим на нього, як дві краплі води. На відміну від нашого пустуна-приятеля, Мікеланджело виявився зразковим псом з прекрасними манерами. І ось трапляється так, що два красеня вирішують помінятися.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

Whilst vacationing in the Carpathian Mountain, two couples stumble across the remains of Count Dracula's castle. The Count's trusted servant kills one of the men, suspending the body over the Count's ashes so that the blood drips from the corpse and saturates the blackened remains. The ritual is completed, the Count revived and his attentions focus on the dead man's wife who is to become his partner; devoted to an existence of depravity and evil.

Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a fun-loving man called Giuditta. What Father Maurice doesn't know is that this type of devil will turn his life around.

Wada, a salary man, is enlisted to venture off to China to investigate a potential Jade mine. After his arrival, Wada encounters a violent, yet sentimental, yakuza, who takes the liberty of joining his adventure through China. Led on their long and disastrous journey to the mine by Shen, the three men come across something even more magical and enticing.

Джим Дуглас та його механік Віллі Епплгейт приїздять до Монте-Карло на автоперегони зі своїм Фольксвагеном "Гербі". Тим часом, двоє злодіїв цуплять дорогоцінний діамант вартістю 6 мільйонів $ у музеї, поряд з яким розташувалися учасники майбутніх перегонів. "Перлина" випадково потрапляє до бензобаку Гербі і крадії будуть намагатися заволодіти коштовністю будь-яким способом упродовж перегонів.

After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.

Для голови родини Ньютонів, Річарда, довга поїздка до родичів - улюблене заняття. А для його галасливої сім'ї - це утомлива, нестерпно нудна справа. Проте все разючим чином змінюється, коли "на борт" сідає новий кошлатий пасажир з сумними очима. Ним, як не дивно, виявляється наш старий друг Бетховен, який не проти прогулятися по країні і поглянути світ. Як Ви, напевно, вже здогадуєтеся, в компанії з ним нудьгувати вже нікому не доведеться!

A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.