The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

An Amish community rocked by a school shooting, survivors of 9/11, victims of the "troubles" of Northern Ireland and others share their views on how forgiveness has helped to alleviate their grief and resentment in this emotional documentary. Filmmaker Martin Doblmeier explores the spiritual, physical and psychological benefits of forgiveness and includes interviews with Elie Weisel and Vietnamese Buddhist leader Thich Nhat Hanh.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

This TravelTalk entry brings us glimpses of flower arranging, a temple deer park, and Mount Fuji.

Red is the story of three teens in rural Pennsylvania who are torn apart by the closet. James and Lizzy's seemingly normal relationship is shattered by Aaron, the guy James hooked up with and who is unable to bear their secret and confronts James.

When a bulldog tells Jerry to "just whistle" any time that he needs him, Tom's in for big trouble until he puts earmuffs on the mutt.

Join Thomas as he roars down the tracks with the most special delivery yet, the Lion of Sodor. Thomas' special delivery is not what he thinks it is - a real lion. When the other trains try to tell him that it's actually a statue, he is too excited to listen. Join Thomas as he learns the importance of listening to others in this lion hearted collection of tales from the tracks.

Danny’s a drifter with a grudge and a slightly twisted Robin Hood complex. Savannah struggles with self-image and has lost nearly everything that ever mattered to her. These two were meant to meet, like Bonnie and Clyde or a crate of sweating dynamite and a pothole. With nothing to lose and an impulsive relationship that fuels the fire, these two are destined to a life sentence of celebrity they never saw coming.

TV theatre drama.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

A young policeman gets into trouble after winning the lottery. Adventure and problems follow, as well as lots of beautiful women. The officer runs danger to fall prey to a large scam, but he also can find true love and realizes: in order to win his fate, he has to take chances and play.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.