When Ti Lung and David Chiang left Shaw Brothers, they returned a year later after learning directing and defied their former studio heroics making films with social leanings. Directed by Ti, The Young Rebel is one such film. Fatherless as a child, Hsiang (Chiang) supports his mother. When gangsters kill his mother, he kills in revenge. Unlike his swordplay heroes, Hsiang admits guilt, expresses sorrow and is imprisoned

Gilnam, a diligent taxi driver plans to propose to his girlfriend, Yu-jeong. However, when Gilnam takes off to meet Yu-jeong with armful roses, he gets in a hit-and-run accident and dies on the spot. One night, forty-nine days later, in a graveyard, a set of headlights emerges. A mysterious taxi drives off into the city. The driver of this taxi is none other than Gilnam, but he is no longer a part of the living and he races through the city streets in search of his beloved.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

A spunky young bellhop investigates the murder of a hotel guest.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Sanae, who went to prison after failing to kill her ex-boyfriend six years ago, meets Kenta, a forest ranger, and gets married. Sanae and Kenta's married life takes a new turn when the wife of Sanae's ex-boyfriend appears. Sanae still can't forget her ex-boyfriend, and Kenta is having a hard time dealing with her.

With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)

Тридцатилетний холостяк-астроном встречает девушку своей мечты, влюбляется в нее, и та отвечает ему взаимностью. Но соединить судьбы влюбленным не так-то просто: дело в том, что наш герой — сын властной мамы, желающей единолично опекать своего отпрыска до старости. Единственное решение проблемы — переключить внимание капризной родительницы на другой объект. Например… на нового мужа! Но найти достойного кандидата в супруги привередливой молодящейся женщине бальзаковского возраста — задачка не из легких. Герой фильма буквально сбивается с ног в поисках приличного жениха. В процессе он знакомится с множеством самых разных людей, преодолевает невероятные препятствия, попадает в курьезные и анекдотические ситуации. В испытаниях характер молодого человека закаляется, а став сильнее, он наконец освобождается от материнского диктата.

In 1958 Nebraska, 19 year old garbageman Charles Starkweather goes on a murder spree with his 14 year old girlfriend Caril Ann Fugate. They kill 11 people in three months, introducing America to spree killing.

KIX’s first short film experiment, Lalu is a hyper-stylized Malaysian short thriller directed by Ion Furjanic. The word “Lalu” is used to refer to the passing of time or to pass through something. Synopsis: Three friends’ trip into the jungle is blurred by something they see far across a deserted lake.

A school principal and a doctor plan to rob a bank.

Hong Kong movie

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

The movie tells about quotation gangs in Kerala. How youth get involved with all antisocial activities like Ganja mafia.

A young medical student visits the Blasket Islands, off the coast of Ireland, during the holidays and becomes charmed with the place and its people. He falls in love with a local girl, who is betrothed to a local man. The two men meet and become fast friends, and the student realizes the hopelessness in his love of the girl of his friend. He leaves but, after his graduation from Trinity College, he returns to cast his lot with these simple fishermen

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.