In 1972 a coal-waste dam owned by the Pittston Company collapsed at the head of a crowded hollow in southern West Virginia. A wall of sludge, debris, and water tore through the valley below, leaving in its wake 125 dead and 4,000 homeless. Interviews with survivors, representatives of union and citizen’s groups, and officials of the Pittston Company are juxtaposed with actual footage of the flood and scenes of the ensuing devastation. As reasons for the disaster are sought out and examined, evidence mounts that company officials knew of the hazard in advance of the flood, and that the dam was in violation of state and federal regulations. The Pittston Company, however, continued to deny any wrongdoing, maintaining that the disaster was an “act of God.”

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Summertime at the beach. Swimming, yelling, playing, tanning. 25-year-old Marie who came alone to lie in the sun and swim in the sea, loses the bottom half of her bathing suit.

Don Giorgio, a handsome young priest and teacher in a convent, is involved with two lovers: Orchidea and Giulia. When he repents and vows to return to the Church, he is savagely beaten to death. Not long after, Giulia has her throat slashed. Inspector Boito falls in love with and prepared to marry Orchidea, who is also the main suspect. The key to solving the case seems to lie with an inquisitive boy called Ferruccio, who is kept locked up and drugged. He witnessed one of the murders, but will anyone believe his story?

An undercover Army captain links missing gold and murder to a gambler's ghost.

Akin to Private Benjamin, this comedy deals with the tough life of female army recruits going through basic training. Through their training they come to realize that there is more to being tough than having muscles.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

Jo Yang, a celebrity radio guest, receives a phone call while on air and sets in motion a series of events that threaten her life and her family. Forced to choose between saving a prostitute or a loan-shark, her choice is confronted by public outcry. This film is loosely inspired by real-life events in Singapore, and explores how it is more choice rather than chance that shapes our lives.

A musical portrayal of the nativity of Jesus Christ that delivers the true message of Christmas.

After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.

Actor Yoo Ji-Tae’s directorial debut feature film is one part melodrama, one part comingof-age story about Soo-young, a miserable thirtysomething man and Mai-Ratima, a 22-year-old Thai girl who accepts a mail order marriage in order to realize her Korean Dream. Into their relationship comes Young-jin, a hostess, slowly turning it into a love triangle.

A man must express his true passion of music and rhythm in a world where it is repressed and outlawed.