A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

A perfect ski vacation heads downhill in Winter Hollow, where any mention of Christmas unleashes the feared Headless Snowman. It's "A Scooby Doo Christmas" when Scooby-Doo and crew set out to melt the ferocious Frosty and save the holiday. It's no fun in "Toy Scary Boo" when all the toys in Happy Toyland start coming alive and wreaking havoc. In "Homeward Hound," a fiercely fanged cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, Shaggy and Scooby-Doo's wildest dreams come true when they win a tour of Munchville, home of Scooby Snax dough and it spells out a "Recipe for Disaster."

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

Четверта частина кінохроніки Волейбол!!

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

Robert Benchley offers a humorous lecture on how to avoid different types of strain during reading.

A fast-paced hair-raising ride through an inky world. A minimalist painter loses his toddler inside one of his own paintings and has to climb inside to rescue his mischievous toddler from the ink monsters, with the help of an inky flying machine.

In their third comedy, Gaston and Leo are undertakers specialized in the luxury transportation of the better class of dearly departed.

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Râmnicu Vâlcea, Romania has only 120,000 residents, but among law enforcement experts around the world, it has a nickname: Hackerville. In the last year alone, $1 billion was stolen in the U.S. by Romanian hackers. Convicted criminals with nicknames like Guccifer and Iceman have been caught breaking into the email accounts of NASA, Hillary Clinton and George W. Bush—but that’s just the beginning. The world is finally waking up to the realities of cybercrime and the threats that it poses to our society. Is there anything we can do to stop these individuals and protect ourselves from the most dangerous town on the internet.

See You at the Pictures is a feature length documentary which looks at movie-going in Ireland throughout the decades. Exploiting a treasure chest of hitherto undocumented or privately documented stories and adventures that have been stored inside heads or scribbled in yellowing notebooks and diaries across the country, the film examines specific periods of Irish history as related, through the prism of cinema, by ordinary and less ordinary people who lived and are living through them. Their testimony guides us through the years, providing insight, historical knowledge, funny anecdotes, local colour, and other comic or perhaps even tragic stories. Out of this emerges a truly nationally-shared experience of cinema-going as important to our common heritage as any of the other components of our culture.