Японія, кінець XVI століття. До села на березі озера Біва на околицях Омі наближається грізна армія феодала Сібати. Гончар Гендзуро і його шуряк Тобей, який мріє стати самураєм, вимушені працювати не покладаючи рук, щоб заробити якомога більше грошей...

The sextuplets attend a high school class reunion. There, they see all their former classmates who have become "proper" adults with company jobs. The sextuplets sulk about this and go home and drink until they fall asleep. But when they wake up, a certain scene awaits them.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

In 1852, the famine on a desolate Britanny's island named Blaz-Mor, off the coast of Finistère. Some residents exalted hold responsible the young Moira, equivalent to a witch. The old Marnez, "head" of the island, is trying to restore calm and opposes Yann Le Heart, the fiancé of his daughter Louise Kermelen, who wants causing a shipwreck to save the island from famine.

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

Кіото, XVIII сторіччя. Осан, дружина Ісюна, знатного друкаря календарів для імператорського двору, просить Мохея, улюбленого працівника свого чоловіка, позичити їй трохи грошей для брата з матір’ю. Вона вже стільки разів просила допомоги в чоловіка, що їй незручно знову його турбувати. Мохей таємно закоханий в Осан і тільки радий їй допомогти. Щоб отримати ці гроші, він збирається взяти особисту печатку хазяїна.

Salvatore and Romolo are two young and poor young men that are neighbours and friends. They live with their parents in Piazza Navona, Rome. They are poor but handsome, and both fall in love with Giovanna.

A wealthy landlord lives a decadent life with his wife and son. His passion – his wife would calls it his addiction – is music, and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. He feels threatened by his neighbour, a commoner who has attained riches through business dealings. His passion for music and quest for social respect are his undoing, as he sacrifices his family and wealth trying to retain it.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

Двоє немолодих шахраїв, давні друзі Макс-Брехун (Жан Габен) і Рітон (Рене Дарі) здійснили сенсаційне пограбування в Орлі, діставши 100 кілограмів золота. Макс розраховує, що це останнє пограбування забезпечить йому бажане мирне життя на спочинку. Але Рітон, не утримавшись, розповідає про вдалу справу своїй молодій коханці Жозі (Жанна Моро), а та йде з цією новиною до Анжело (Ліно Вентура), шахрая нового покоління, з яким вона зраджує Рітону. Анжело з двома прибічниками викрадає Рітона і вимагає золото замість викупу. У черговий раз втомлений і роздратований Макс вимушений рятувати друга, як це раніше бувало не раз.

After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.

Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.

A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

The three sons of devout Danish farmer Morten have widely disparate religious beliefs. Youngest son Anders shares his father's religion, but eldest son Mikkel has lost his faith, while middle child Johannes has become delusional and proclaims that he is Jesus Christ himself. When Mikkel's wife, Inger goes into a difficult childbirth, everyone's beliefs are put to the test.