A family moves from hip Berlin to a semi-detached house in the idyll and gets to know their neighbors...

The Crocodile Hunter Diaries is a wildlife documentary television series first aired on cable TV channel Animal Planet. It was created as a spin-off to the original Crocodile Hunter series hosted by Australian naturalist Steve Irwin and his wife Terri Irwin. In the UK it was aired on ITV. In Australia it was aired on Network Ten. The show is more focused around the everyday lives of Steve, Terri, and the employees of Australia Zoo. The first season covered, among other things, Terri's pregnancy with her and Steve's first child Bindi, medical problems with Steve's dog Sui, the construction of the Crocoseum, daily ups and downs experienced by zoo staff on the job and animal rescue adventures.

Hollywood Cycle is a never before seen look inside the uber-popular, highly competitive world of indoor cycling at LA’s Cycle House. The series follows the “ride or die” lives of high profile instructors, along with three up-and-coming trainees, whose strong, driven personalities often clash both in their professional and personal lives. While the instructors struggle to keep their sweaty, dark rooms full, their loyal riders ferociously compete for attention and mixing business with pleasure is always tempting. Viewers will also be introduced to Cycle House management who constantly vie for authority and power. E!’s new hour-long, six episode series, "Hollywood Cycle," is a raw and real look inside one of today’s hottest, most competitive fitness crazes.

King Arthur and the Knights of Justice is an American animated series. It lasted for two seasons and 13 episodes each. The cartoon was produced by Golden Films, C&D Entertainment and Bohbot Entertainment. The series was created by Diane Eskenazi and Avi Arad who were also executive producers of the series. Its first episode aired on September 13, 1992, and the last episode was on December 12, 1993.

Quick as a Flash was a 30-minute radio quiz program which featured drama segments with guest actors from radio detective shows. Created by director Richard Lewis and emcee Ken Roberts, the program debuted over the Mutual Network on Sunday, July 16, 1944. Sponsored by the Helbros Watch Company, the show was produced by Lewis and Bernard J. Prockter with scripts by Gene Wang. Music was by Ray Bloch and the Helbros Orchestra. Six contestants from the studio audience competed for cash and other prizes. Clues were presented in the form of dramatic sketches covering such subjects as current events, movies, books and historical situations. With a buzzer, a contestant could interrupt at any time to submit an answer. During the Helbros Derby, a guest detective from a radio mystery program put in an appearance. Frank Gallop and Win Elliott were announcers. The series ended on June 29, 1951. Approximately one year later, the series made an attempt to go on television.

Kiu Man Kit is a knowledgeable gentleman living an affluent lifestyle who runs an online antique business. He has been living alone ever since the passing of his wife, Chong Wing Yi. The only person who knows about his past is his butler, Cheung Hak Loi. Until one day, Kiu Man Kit comes across an insurance investigator names Yan Yin at the hospital, sending ripple effects to his quiet life. When Yan Yin tries to find out the cause of her late parents' accidental death, she discovers her life is somehow tied to his. In order to get closer to Yan Yin, Kiu Man Kit joins her insurance company to help with her investigation and gets to know her suitor, Cheuk Sing Yeung. Gradually, Kiu Man Kit and Yan Yin realize that all the accidents are somehow seen as if they have been controlled by someone. Just as they are about to get to the truth, Kiu Man Kit meets Lin Yeuk Fei who bears a resemblance to his late wife. At the same time, it turns out Cheuk Sing Yeung and Lin Yeuk Fei's upbringings are also hidden with secrets.

Two celebrity-contestant teams compete to guess words by giving one-word clues in this French adaptation of the all-time classic game show.

Spy drama set in the social and political chaos of 1968, inspired by a true story. Pursued into Canada by the FBI, the matriarch of an American activist family helps smuggle Vietnam war deserters and draft dodgers across the border. What she doesn't know is that one of the deserters is an agent of the CIA sent to spy on her.

Follows safari camp owners Grant and Lynsey Cummings and their children as they take on the challenges that are unique like remodeling dilapidated lodges on their remote Zambia property.

The Smothers Brothers Show is an American fantasy sitcom featuring the Smothers Brothers that aired on CBS on Friday nights at 9:30 p.m. ET from September 17, 1965 to September 9, 1966, co-sponsored by Alberto-Culver's VO5 hairdressing products and American Tobacco. It lasted one season, consisting of 32 episodes. It was also the network's last situation comedy filmed in black-and-white; shortly after its final telecast, all CBS prime-time series were transmitted in color.

Apna Time Bhi Aayega is a Hindi family-drama series. It depicts the dreams and struggles of Ramadheer, a servant in a royal family of Jaipur, and his beloved daughter, Rani. While Ramadheer doesn’t wish for Rani to become a servant, circumstances force Rani to take that path. Will Rani fulfil her dreams, or will she remain a servant like her father?

Deluded Simon Porter, dreams of becoming a doctor - but he has to start from the bottom and be a porter. His plan? Work his way up to be the best porter the NHS has ever seen.

Live from the Metropolitan Opera is an American television program that presented performances of complete operas from the Metropolitan Opera, New York City, on the Public Broadcasting Service television network. The program began in 1977, and was telecast live for its first few seasons. The first telecast, La Bohème, featured Luciano Pavarotti as Rodolfo and Renata Scotto as Mimi, with James Levine conducting; all three were interviewed during the intermission. In 1988, the program title was changed to The Metropolitan Opera Presents, to reflect the fact that the performances were now taped prior to broadcast. Live from the Met functioned as a supplement to the regular Saturday Metropolitan Opera radio broadcasts. During its first fifteen years, the program was frequently simulcast, enabling some audiences to hear the opera in stereo via radio as well.